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VPIP is a technical term that we use in modern poker tracking programs such as Pokertracker and Hold'em Manager. It stands for Voluntarily Put $ in Pot. More specifically it means what percentage of hands a poker player plays.
Gimp Homepage The Layers Dialogue. Unlike Photoshop, which names calls its toolboxes palettes, Gimp names them Dockable Dialogues. When you open an image in Gimp by default the Layers Dialogue will be open on the right side of the screen. Limp Meaning Poker, nokia 5 price in slot, slot pharaoh mod apk, mucha slot. Using Ctrl + Shift together can do a variety of things, depending on which tool is used. Common to all selection tools is that the selection mode will be switched to intersection, so that after the operation is finished, the selection will consist of the intersection of the region traced out with the pre-existing selection. Most beginning poker players consider their cards first. After all, it doesn’t take long to realize that starting with a big pocket pair such as Aces or Kings – or even big connected cards such as A-K or K-Q – is a lot better than being dealt absolutely horrid hands like 7-2 unsuited, 9-6, and so on.
VPIP is probably the most useful stat that I use at the poker tables. In this article I am going to describe how I use the numbers and make decisions with it at the poker tables.What is VPIP in Poker? - It Tells You About Player Type
Understanding the type of player that you are up against is one of the most important things in poker. This can often dramatically affect my decision making at the tables.
For instance, if I am up against a very tight regular opponent I might be cautious about getting AK all in preflop even in a 6max game.
However, if I am up against a loose aggressive recreational opponent, then this is a slam dunk all in for me with a fist pump included. This is because I very likely have the best hand.
Once you start to get used to using a poker tracking program like Pokertracker 4 for instance, you can setup your HUD (heads up display) and start showing this stat for your opponents at the tables.
By the way, for a full breakdown on this I would recommend checking out my how to setup your HUD article. You can also download my own HUD setup for free and start using it yourself right away.
VPIP Numbers and Player Type
So let's talk about some concrete numbers now. So when the stats for my opponents start showing up on my screen I will roughly apply player types like this:
- 0-10: very tight
- 11-20: tight
- 21-30: loose
- 31-40: very loose
- 40+: recreational player (fish)
I want to note one important caveat here. It is crucial that you have a sample size of at least 10 hands before drawing any conclusions about the player type.
The reason why is because even an extremely tight player could happen to just pick up a few good hands in a row. Or vice versa, a really loose player could be card dead.
So always make sure that you have a bare minimum of 10 hands on your opponent before making any judgments about them with regards to VPIP.
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Poker Strategy with VPIP
So now that I know what type of player I am up against this will influence my decisions at the poker table in a number of ways.
1. The Hands That I Play
So first off, the hands that I choose to play preflop will be affected by my opponent's VPIP.
Say it is folded to me on the button for instance. If I see that the two remaining players in the blinds are both 10% or less VPIP, then I will probably try and steal the blinds with any two cards.
Why? Because these players are both extremely tight and I expect to take it down a lot.
However, if I notice that both players are say 35% VPIP (and especially if they are aggressive as well), then I will probably be much more selective with the hands that I play. The reason being that I know I will not take down the blinds uncontested anywhere near as much.
2. Postflop Play
My postflop play will also be heavily affected by my opponent's VPIP. If I am against one of the tighter opponents I will often give them more credit after the flop.
So for instance, if I have 8♦7♦ on a board of:
2♥2♣7♥4♦3♦
I might choose to just check back the turn for instance for a little bit of pot control and deception (and then bet the river). The reason being that I don't expect them to have too many worse hands in their range that will call me on all 3 streets.
Versus a loose opponent though I might choose to just bet all 3 streets because they are much more likely to have a worse made hand or a draw on this board.
Also, it should be noted that loose players are much more likely to be fish or bad poker players. And bad poker players love to call more than anything in the world. Tighter players on the other hand are more likely to make a tough fold.
VPIP Hand Ranges
In terms of actual hands played we can also create a rough breakdown of that depending on the numbers.
- 0-10: Any pair, any premium and most broadways
- 11-20: Any pair, any premium, any broadway, most suited aces and most suited connectors
- 21-30: Any pair, any premium, any broadway, any ace, most kings, any suited connector, any suited one gapper
- 31-40: Any pair, any premium, any broadway, any ace, any king, any connector, any one gapper, any suited two gapper
- 40+: Almost any two cards depending on how high the VPIP is
This is just a very rough guide but hopefully it gives you a better idea of how to put a player on a range of hands according to their VPIP.
Basically, the higher it is, the more hands you need to start adding to their range. Once you get to the very loose players and the recreational opponents (e.g. 30%+ VPIP) it honestly becomes a little bit pointless to even bother constructing a range of hands for them.
The reason why is that they are playing so many hands that it becomes almost impossible to narrow it down properly, at least in the early stages of the hand.
Based on the decisions that they have made throughout the course of the hand though, we can often narrow down their range by the later streets.
For much more on advanced hand reading I recommend checking out The Upswing Poker Lab.
Final Thoughts
VPIP is a very valuable tool that you should be using at the online poker tables. It tells you so much about a player. More than any other stat in fact.
This is because the biggest difference between the various opponents that you will face at the poker tables is how tight or loose they are. The VPIP stat gives you that exact information.
This is especially important in the fast paced multi-tabling world of online poker where it can be difficult to keep track of everybody. Having the numbers right there on your screen makes it much easier to identify the player type.
So make sure that VPIP is a stat in your arsenal at the online poker tables and you will be able to make better informed decisions. And therefore you will ultimately profit and win more!
Lastly, if you want to learn how to start consistently making $1000+ per month in low stakes games, make sure you grab a copy of my free poker cheat sheet.
How do you use VPIP at the poker tables? Let me know in the comments below.
Selection tools are designed to select regions from the active layer so you can work on them without affecting the unselected areas. Each tool has its own individual properties, but the selection tools also share a number of options and features in common. These common features are described here; the variations are explained in the following sections for each tool specifically. If you need help with what a “selection” is in GIMP, and how it works, see Selection.
There are seven selection tools:
the Rectangle Select;
the Ellipse Select;
the Free Select (the Lasso);
the Select Contiguous Regions (the Magic Wand) ;
the Select by Color;
the Select Shapes from Image (Intelligent Scissors) and
the Foreground Select.
In some ways the Path tool can also be thought of as a selection tool: any closed path can be converted into a selection. It also can do a great deal more, though, and does not share the same set of options with the other selection tools.
The behavior of selection tools is modified if you hold down the Ctrl, Shift, and/or Alt keys while you use them.
| Note |
|---|
Advanced users find the modifier keys very valuable, but novice users often find them confusing. Fortunately, it is possible for most purposes to use the Mode buttons (described below) instead of modifier keys. |
When creating a selection, holding down the Ctrl key can have two different actions according to the way you use it:
Holding down the key while drawing the selection toggles the “Expand from center” option.
If you hold down the Ctrl key before drawing a selection, this new selection switches to the Subtract mode. So, this new selection will be subtracted from an existing one as soon as you release the click, as far as they have common pixels.
Holding Alt will allow movement of the current selection (only its frame, not its content). If the whole image is moved instead of the selection only, try Shift+Alt. Note that the Alt key is sometimes intercepted by the windowing system (meaning that GIMP never knows that it was pressed), so this may not work for everybody.
When creating a selection, holding down the Shift key can have two different actions according to the way you use it:
If you hold down the key before clicking to start the selection, this selection will be in Addition mode as long as you press the key.
If you hold down the Shift key after clicking to start the selection, the effect will depend on the tool you are using: for example, the selection will be a square with the Rectangle Select tool.
Using Ctrl+Shift together can do a variety of things, depending on which tool is used. Common to all selection tools is that the selection mode will be switched to intersection, so that after the operation is finished, the selection will consist of the intersection of the region traced out with the pre-existing selection. It is an exercise for the reader to play with the various combinations available when performing selections while holding Ctrl+Shift and releasing either both or either prior to releasing the mouse .
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Ctrl+Alt+ and Shift+Alt+ are used to move selections. See Section 2.1, “Moving a Selection”.
Pressing the Space bar while using a selection tool transforms this tool into the Navigation cross as long as you press the bar, allowing you to pan around the image instead of using the scroll-bars when your image is bigger than the canvas. This is the default option: in Preferences/Image Windows, you can toggle the Space bar to the Move tool.
Here we describe the tool options that apply to all selection tools: options that apply only to some tools, or that affect each tool differently, are described in the sections devoted to the individual tools. The current settings for these options can be seen in the Tool Options dialog, which you should always have visible when you are using tools. To make the interface consistent, the same options are presented for all selection tools, even though some of them don't have any effect for some of the tools.
Figure 14.8. Common options of selection tools
This determines the way that the selection you create is combined with any pre-existing selection. Note that the functions performed by these buttons can be duplicated using modifier keys, as described above. For the most part, advanced users use the modifier keys; novice users find the mode buttons easier.
Replace mode will cause any existing selection to be destroyed or replaced when the new selection is created.
Add mode will cause the new selection to be added to any existing selection regions.
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Subtract mode will remove the new selection area from any existing selection regions.
Intersection mode will make a new selection from the area where the existing selection region and the new selection region overlap.
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This option only affects some selection tools: it causes the boundary of the selection to be drawn more smoothly.
This options allows the boundary of the selection to be blurred, so that points near the boundary are only partially selected. For further information regarding feathering, see the glossary entry Feathering.
When this option is checked, a Radius option appears. Default value is 10 pixels: higher image resolution, higher radius.